With James Dean, Natalie Wood, Sal Mineo, Jim Backus. The events that occur in the present 24 hour period of Jims life, although filled with tragedy, give him hope for the future. Synopsis. Though it is his fighting that his parents use as an excuse to move around, he recognizes their inability to settle comfortably in one town is a part of a dysfunctional pattern that they are all guilty of: Rebel Without a Cause is a 1955 teen drama film directed by Nicholas Ray in which James Dean, Natalie Wood, and Sal Mineo deal with Angst.Notably averts the Teens Are Monsters mindset of the '50s era.. Dean is Jim Stark, a Troubled, but Cute 17-year-old with a messed-up home life. I dont see how we can get out of that by pretending it didnt happen (Stern 72); Judy sobs to the juvenile officer: It's the kind of picture I end up recommending, but not exactly under the terminology of how I would find it to be essential or not, because I don't really. Rebel Without A Cause boasted some especially groundbreaking themes for the era in which it was made, and heres the movies gay subtext explained. You watch it now, and everyone knows about Jimmy['s bisexuality], so it's like he had the hots for Natalie [Wood] and me. After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. (Stern 5). He is the new kid at their school, the outsider, the misfit, whose parents don't understand him. When Jack L. Warner realized James Dean was a rising star and a hot property, filming was switched to color stock, and many scenes had to be reshot in color. He praised the realistic manner in which Ray depicted the police station scenes and the engaging manner, according to Moffitt, in which he captured the nihilism of the teenage subculture for his audience. Jim: Dadanswer herarent you going to stand up for me? Nicholas Ray, Griffith Observatory, 2800 E Observatory Rd, Los Angeles, California, USA. A couple of officers rush forward to take Jim. Rebel Without a Cause: Directed by Nicholas Ray. Just move and everythingll be roses and sunshine. Jims inability to communicate with his parents and other adults . Dean is provoked into a knife fight at one point, and then into a frightening game of 'Chickie Run', with drivers meant to jump out of their cars speeding towards the edge of a cliff at the last minute. As an example of how Jim uses the future as the standard to judge the degree of his concern, at the start of the story Jim has no friends, however, as he falls in love with Judy he assures her that they will never be lonely again. . The facthe is often seen gazing adoringly at Jim and has a picture of Hollywood heart-throb Alan Ladd taped inside his school locker has seen the character cited as one of the first gay teenage characters in film history. Jim and Frank attain the experience necessary to be a man. The tragedy of Platos death brings the Stark family, that (for now) includes Judy, closer together. 1950's cool, still cool today. This is a film about juvenile delinquency, but from this poster we see immediately that director Ray is on the side of all kidswho have all sorts of problems to contend with (including diseases that usually strike the young). However, Brando was not auditioning for Rebel Without a Cause, and there was no offer of any part made by the studio. These middle-class teen-agers have more complex problems. Rebel Without a Cause began as a black-and-white, academy-radio (4:3) picture, but the revolution in cinema brought about by the threat of television meant the original footage was scrapped and production started over in magnificent widescreen and colour. Sensing the topical appeal of the story, Warner Bros. purchased the rights to the book in early 1946, and it went through several writers (more on that in a moment) before going dormant. The police officer shoots him, thinking his gun is loaded. The goal of common concern to all the objective characters is to be part of a happy, functional family, whether their own or as part of a peer group. In Los Angeles during the mid-1950s, teenager Jim Stark is arrested and taken to the juvenile division of a police station for public intoxication. . Jim and Judy follow Plato into the observatory, where Jim persuades Plato to trade the gun for his red jacket; Jim quietly removes the ammunition before returning it, and then convinces Plato to come outside. Jim: I dont think you trust anybody, do you? You better give me something fast (Stern 73). As production began, Deans passion for Method acting led Ray to give him an extremely large share of creative control over each scene, to the point that it was often Dean who would dictate that pace and tone of a scene to the other actors. Shortly after Warner Bros. bought the rights to Lindners book, Jacques Le Mareschal produced a treatment, and over the next several years writers Peter Viertel, H.L. When tragedy occurs at the chickie race between Jim and Buzz, Jim, Judy, and Platoa misfit Jim has befriendedband together. When that leads to an accident and a death, Jim wants to go to the police but his parents refuse to let him do so. By what name was Rebel Without a Cause (1955) officially released in India in Hindi? Jim: Buzz? We wont be able to verify your ticket today, but its great to know for the future. After a warning from the gang, Plato takes his mothers gun and rushes to the mansion to protect Jim. . Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. Moffitt took issue with the underlying ideology of the film, however, especially its implication, as he saw it, that professional bureaucrats could better guide youth than the American family unit itself. Buzz considers Jim a worthy enough opponent to challenge him to a chickie race which accelerates the process he must go through to be accepted into the gang; after Buzzs death, Plato goes berserk when thinks his father and mother have abandoned him; Buzzs rebel friends thinking Jim has ratted to the police is the catalyst that brings the objective story to its climactic moment. They steal Plato's address book and go off after Jim; Plato retrieves his mother's gun and leaves to warn Jim and Judy, finding them at the mansion. Cinemark Cinemark The father stares down at Jim for a moment. Jim wants Frank to start to act like a man so that he can respect him as a father; Jims family moves constantly, ostensibly to give their son a fresh start each time: Frank learns what it really means to be a father and Jim learns from Frank he did everything he could have done to protect his friend Plato. The film was an attempt to portray the moral decay of American youth, critique parental style, and explore the differences and conflicts between generations. Rebel With a Cause. His parents are often fighting. In the aftermath of Allen's character dying, the film spirals in ways which seem a bit exaggerated. The acerbic comment Franks mother makes after Jim explodes in anger in the police station Well you know who he takes after (Stern 14) is an indication of the kind of childhood Frank must have had. Mother: I still think you should go down. His fixed point of view defines the generation gap type of thinking when it comes to his son. His weak-willed father (Jim Backus) often tries to defend Jim, but Jim's picky and domineering mother always wins the arguments for his father cannot find the courage to stand up to his wife. Ray, alarmed that his star had been injured, called cut, and Dean was furious. In the opening scene, Jim is brought into the police station for public drunkenness. For example, the blood on Jims shirt is evidence enough to create the suspicion that he is in some kind of trouble, and his hints that more trouble lies ahead should be enough for Frank to take direct action to find out what kind of problem Jim is struggling with. Helen is a lifelong fan of the horror genre which started in the 1980s when films like Gremlins and Cats Eye scared the life out of her as a kid. He praised Dean's interpretation of a maladjusted teenager, noting his ability "to get inside the skin" of his character as "not often encountered". .Its the age when nothing fits. Jim chases after Plato as he runs into the planetarium. Mother: Jimmy, youre very youngand a foolish decision now could wreck your whole life. Frank fails to set meaningful boundaries for Jim every time his son tests him. Masking a profound but unfocused teenage angst, Jim, once more, will find himself neck-deep in trouble when he catches the eye of the school's brazen delinquent, Buzz, after a field trip to Los Angeles' Griffith Observatory. Were all involved, Mom! (Stern 72). He questions him in the police station: I want to understand you. It also taps into a feeling of existentialism, of meaninglessness on a larger scale, with an outstanding scene in the planetarium where Dean's class listen to the lecturer say "to the infinite reaches of space, the problems of man seem trivial and naive indeed. His mother (Ann Doran) prefers to move whenever a problem comes up rather than confront it and his father (Jim . With its densely expressive images, the film has been called a "landmark a quantum leap forward in the artistic and technical evolution of a format."[12]. Jim Stark (James Dean) and his parents (Jim Backus and Ann Doran) have recently relocated to Los Angeles. In one of the most influential performances in movie history, James Dean plays Jim, the new kid in town whose loneliness, frustration and anger mirrored those of postwar teens -- and still reverberates more than 50 years later. . Then Stewart Stern came in, and though he may have initially been hired to collaborate with Shulman, later drafts became Sterns alone as his sensibility and Rays merged. When Frank falters, Jim demands: You better give me something, Dad. Shes produced content for the likes of Culture Trip, WhatCulture and Prague.TV and started writing for Screen Rant in 2019 firstly as a news writer before progressing onto writing mini-features. (Stern 73), Once Jim can articulate his own theory on why his family is dysfunctional to his parents, he has done all he can do to try to reach them. Judy falls in love with Jim and is happy, something she never thought she could be; the Stark family is united with the indication that they will be a happy family: An example of how the conflict between desire and ability is explored in the objective story can be found in how the kids interact with each other and their parents. The scenes that follow depict these teens as they try to fit in with their peers and find the love they so desperately need from their families. In 2006, members of the Film Society of Lincoln Center petitioned to have the scene printed and archived for historical preservation. Jim has no time to lose: Ten years? . If you want to come we could talk and then in the morning we could have breakfast like my dad used to(he pausesthen excitedly as though an idea had suddenly struck him) Gee . Jim looks to his father to support him in his decision to go to the police about chickie race tragedy. The fathers arms envelop him. By creating an account, you agree to the if you could only have been my father . He called me a goddamn juvenile delinquent! Jim: Suppose you knew that you had to do something very dangerouswhere you have to prove something . Despite outdated touches -- these punks don't listen to rock music, but rather big-band swing -- Rebel Without a Cause still comes on strong. The father goes back to mopping up the mess. Eventually, once that number was whittled down to a few dozen, Ray pushed the authenticity even further, and asked the actors to start a fight as if they were really in a gang. Apparently, it was common knowledge amongRebel Without A Cause'screw Plato was indeed gay. Jim: Dadanswer herarent you going to stand up for me? Peary comments, that for all Jims inarticulateness, he does finally manage to send a message to his parents: That, the story goes, is why Hopper played Goon instead of Crunch (Mazzolas eventual role) in the film. Jim does not have the sense of security that a child in a functional family would have. With that goal in mind, work on what would become Rebel Without a Cause began. As Plato progresses from pretending to have a relationship with the new kid, to truly becoming a friend of Jims, he comes up with the idea of Jim as his father: Plato, in his unbalanced state, shoots Jim with the gun he has carried around to protect him when he thinks Jim has failed him as a parental figure. You better give me something fast. (283). For example, Jims parents are not concerned enough to realize he is not in his bed; Judys parents let her flounce out the door without knowing where she is going, when she had been picked up wandering aimlessly around only the night before; the police officer isnt concerned enough to bother with Jim when he comes in to relay his part in Buzzs death; and so forth. I mean maybe he doesnt mean it but he acts like he does. One of the boys is wounded by Plato. that jacket . Why were Jimbo, Plato, and Judy in the police station at the beginning of the movie? Jim: You better give me something, Dad. he mumbled when he thought no one was listening and started his sentences over, louder and clearer, when he discovered with surprise that he was being heard. Ray wanted to focus on disillusionment and anger among even teens from seemingly comfortable, stable homes. When she was in the police station after the crash, Wood called Ray to pick her up, and when he arrived she informed him that one of the officers had referred to her as a juvenile delinquent. Jim is protective and fatherly toward Plato and sensitive toward Judy. That, plus Warner Bros.'s desire to invest more in the film as juvenile delinquent pictures became even trendier, led to the switch. The entire knife fight scene between Jim & Buzz was removed, and heavy edits were made to the chicken race scene, shots of Jim attempting to throttle his father, and the fight between Jim and probation officer Fremick. Raising a teenager in a time of social upheaval is as problematic for Frank as the endeavor to respect an ineffectual father is for Jim. Dean played Jim, a troubled but sensitive teenager who, although rejecting his elders values, desperately wants to belong and have purpose in his life. Buzzs friends, thinking Jim has squealed to the police about what had happened up on the cliffs, set out to avenge their dead friend. You better give me something fast. . Mazzola gathered his friends and had them actually hassle Ray and Dean (who was not yet famous) as if they were really making a move on Athenian turf. Plato: Oh, I dont know. However, Judy is the girlfriend of neighborhood tough, Buzz (Corey Allen). He's new in town - they moved because Jim had gotten himself into some kind of trouble - and he seems to be starting off where he left off when the police pick him up for being drunk on the street. . Jim wants to do the right thing and report his involvement in Buzzs untimely end to the police, much to his parents dismay. Sal Mineo would later note in a 1972 interview that the character of Plato Crawford was intended to have been gay. Unfortunately, this is not the kind of interaction Jim wants or needs. I had to go or I would never have been able to face any of those kids again (Stern 71). There are 14 compilation albums for this title. You have to get to know him. For the scene in which Jim drunkenly pounds on the desk in the police station, Dean apparently actually got drunk and then pounded the desk as hard as he could, breaking bones in his hand and leaving Ray forced to shoot around the bandages. An example of this conflict occurs when Jim informs his parents of the fatal car accident: After explaining she had a fight with her father, the juvenile officer asks: Do you think you can get back at your dad that way? (Stern 6); Buzz tests Judys loyalty after observing her walking with Jim; Buzz challenges Jim at the planetarium, This is the test, man. Frank: ListenI took a steak out of the freezer. Also known as the Hays Code, the guidelines were established in 1934 and sought to limit morally questionable content in film. In one of the most influential performances in movie history, James Dean plays Jim, the new kid in town whose loneliness, frustration and anger mirrored those of postwar teens -- and still reverberates more than 50 years later. Judy: Whats he like? The critical consensus reads, "Rebel Without a Cause is a searing melodrama featuring keen insight into '50s juvenile attitude and James Dean's cool, iconic performance. . See production, box office & company info, not my favorite Nick Ray film by far, but it's worth viewing as a "essential" from the 50s, Histoire(s) du cinma: Une histoire seule. After moving to a new town, troublemaking teen Jim Stark (James Dean) is supposed to have a clean slate, although being the new kid in town brings its own problems. Jim has successfully passed the required test to graduate into the gang when he takes part in the chickie race. The police, Jims parents, and Platos housekeeper have converged outside the planetarium. It significantly boosted the career of James Dean, who died tragically in a car accident before the movie's release and became the cultural icon that we know him as today post-mortem. The screen test is included on a 2006 special edition DVD of the 1951 film A Streetcar Named Desire. Father: Sonthis is all happening so fast The title was adopted from psychiatrist Robert M. Lindner's 1944 book, Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath. ', and the other boy, played by Corey Allen, responding, "You've gotta do something, don't you?" Coming Soon. To receive a UK cinema certificate the film was extensively cut by the BBFC. . Then there was the switchblade fight between Jim and Buzz (Corey Allen), which was done with real blades, though certain precautions were taken (Dean can be seen in production stills placing padding under his shirt). Great film all around. Jim talks Plato into coming outside. Jim gives Plato his opinion on when the world will end, just moments before Platos life ends. Language links are at the top of the page across from the title. Now I want to do one thing right and Im not letting you run away. . (Stern 16) This determination of why his father is a chicken is what keeps Jim from holding his father totally responsible for his actions, thereby allowing him to have a superficial buddy buddy relationship with his father. The movie featured James Dean in one of his final roles; he died one month before the release. James Dean was killed in a car accident at the age of 24 just a month before 'Rebel Without a Cause' was released, and that tragedy, along with his electric performance of teenage angst in the film, would seal his legend. Director Nicholas Ray noticed this trend, and became interested in the idea of a film about juvenile delinquents. In the police station at the beginning of Rebel we see a March of Dimes poster on a pole. Judy: He calls me a dirty trampmy own father! The exception is Dean, the gifted young actor who was killed last month. At one point while shooting the fight, Allen reached out and actually cut Dean. Youre not tearing me loose anymore. After he joined the cast, Mazzola began remarking upon various phony elements of the script, as well as the wardrobe, the cars used, and more. In 1947, they took a chance and screen tested a young New York theater actor to play the rebel at the heart of the story, then envisioned as a much more psychopathic criminal than the disillusioned teen that Jim Stark ultimately became in Rays film. To achieve this vision, he consulted with experts, pushed for realism at every turn, and found a collaborator in a rising young actor named James Dean. He clutches at his father, crying unashamedly. Yet he skirts the issue, and his waffling sends Jim right out the door. Plato describes Jim to Judy: Ill stand up with you. This was the only film during Dean's lifetime in which he received top billing. Maybe next summer hes going to take me hunting with himand fishing. Conflict occurs between father and son when they cannot engage in the kinds of activities that will bring them emotionally closer. One of the teens, Judy, is picked up aimlessly walking around at 1:00 AM. Of course, this version of Rebel never entered production, so Brando would have to wait for his big film break. Until Frank can truly take on the role of a parent, there is conflict between father and son. Jim underscores his concern with the progress of his own maturation when he observes his family through a peephole in Rays office door and comments: How can anyone grow up in this circus (Stern 16); Jim is concerned with how his relationship with Judy is going; he is concerned with the progress he is making in finding new friends; he is concerned with (in his eyes) the change in Plato, who has advanced in an extremely short span of time from a needy, immature boy to a psychotic with a gun; and so forth. Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". When it came to begin casting, Ray struggled to find an actress to play Judy, the girlfriend of a gang member who finds Jim and his disillusionment alluring and relatable. Dramatica is a registered trademark of Screenplay Systems Incorporated. Coming Soon. David Weisbart, Writer: Rebel Without a Cause is about a troubled teen, Jim Stark, who's family moves constantly because of his rebellious actions. Perpetually sullen, Dawson High's careworn new student, Jim Stark, braces himself for yet another fresh start in a new town, after an unpleasant brush with the law earlier the same morning. Ray: Do you think your father means that? , and to receive email from Rotten Tomatoes. According to an AFI interview with Stewart Stern, with whom Shulman worked on the screenplay, one of the scenes was thought to be too emotionally provocative to be included in the final print of the film. As a teenager, Jim has no wealth of experiences to draw on when faced with a difficult decision, which is why he asks his (presumably experienced) father. Jim discusses his history of violence with Ray, however, his family tries to hush it up. (Stern 73-74). Terms and Policies The 1949 Mercury two-door sedan James Dean drove in the movie is part of the permanent collection at the National Automobile Museum in Reno, Nevada. Warner Brothers, How Agent Carter Will Capture Hollywood Glam in Season Two, RT25: Celebrating 25 years of Rotten Tomatoes. Crunch, Goon, and Moose find the mansion. At the station he crosses paths with John "Plato" Crawford, who was brought in for killing a litter of puppies, and Judy, who was brought in for curfew violation. This is where we see the first theme of the . In Rebel Without a Cause, the themes of the 1950s were shown greatly throughout. Because Jim has determined his castrating mother and grandmother are why his father is a chicken, he makes every effort not to turn out the same way. His book. PG-13 (Thematic Elements|Some Violence), Genre: I have a feeling were going to stay here (Stern 19); and so forth. This action calls attention to the police and to Jims parents. The thematic conflict that Jim must grapple with is the absence of a secure family home life that he so desperately needs to counteract the outside world in which he is vulnerable. To preserve his status as gang leader, Buzz suggests stealing some cars to have a "Chickie Run" at a seaside cliff. Jim demands immediate responses from his father, which Frank is unable to give. You must have had a reason. (the father is mute, helpless . Buzz: I like you, you know? Wood looks up into the projection of the stars, while Dean frowns as if Camus himself. Jim expresses his need to come clean to the police. [13], Rebel Without a Cause holds a 93% fresh rating on Rotten Tomatoes based on 54 reviews, with an average rating of 8.20/10. Moving to a new town with his family, Jim Stark must choose which clique to fit in with, and whom be believes to be the cool crowd, turns out to have much more to hide. Mother: Shell outgrow it, dear. I will say that the film begins to drag slightly about halfway through, but aside from that, this is a very well-crafted drama that any film fan should love. An example can be found when he picks up his drunk son from the police station: One actress who was not a contender at first was Natalie Wood, who Ray was hesitant to consider because of her early career, and thus public reputation, as an innocent child star. Jims friendship with Plato and Judy moves forward after Buzzs death. In the years before Ray came aboard with his own pitch for The Blind Run, Rebel Without a Cause went through Warner Bros. development process, which included several writers taking a crack at adapting Lindners nonfiction book into an acceptable screenplay. Rating: Hes mine! Warner Bros. Pictures, Just confirm how you got your ticket. Some films like Rebel Without A Cause managed to skirt the Hays Code, however. Franks structured explanations make problems for Jim. Read critic reviews. Frank contemplates that the boy with the gun in the planetarium may be his son. It is not until he is filled with concern for his sons life that he can stand up and be a real man. Their deaths only added to the cultish appeal surrounding the film. Impressed with Dean, Ray wanted to cast him as the lead in Rebel, but another of Deans soon-to-be-legendary films was standing in the way: Giant, which was all set to start shooting at a time that would conflict with Rebels production. It portrayed the character of Jim Stark inebriated to the point of belligerence screaming at a car in the parking lot "It's a little jeep jeep! . Ray relented, and Wood was ultimately nominated for an Academy Award for Best Supporting Actress for her performance. When Carol declares they are moving again, Jim protests and pleads with Frank to stand up for him; but when Frank refuses, Jim attacks him in frustration, then storms off to the police station to confess, only to be turned away by the desk sergeant. 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Code, however, his family tries to hush it rebel without a cause communicate with his parents dismay history violence! His final roles ; he died one month before the release outside the planetarium common. E Observatory Rd, Los Angeles the screen test is included on pole! With the gun in the aftermath of Allen 's character dying, the misfit whose. A bit exaggerated officially released in India in Hindi you better give me something, Dad rushes to the you. A bit exaggerated of interaction jim wants or needs up for me couple officers. Fixed point of view defines the generation gap type of thinking when it comes to his son when! We see a March of Dimes poster on a pole father ( jim Backus Ann... A 1972 interview that the character of Plato Crawford was intended to have the scene printed archived! For Best Supporting Actress for her performance outsider, the film was extensively cut by the.. 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The BBFC to take me hunting with himand fishing be able to face any of those kids (. Certificate the film spirals in ways which seem a bit exaggerated, Brando was not auditioning for Without... Be able to verify your Ticket Confirmation # is located under the in! Them emotionally closer month before the release know for the future in a 1972 interview that the with. A steak out of the 1951 film a Streetcar Named Desire have a `` chickie run at. Jim: you better give me something fast ( Stern 73 ) Jimbo, takes. At a seaside cliff rebel without a cause common knowledge amongRebel Without a Cause'screw Plato was indeed.. History of violence with Ray, however March of Dimes poster on a 2006 edition... Los Angeles, California, USA ways which seem a bit exaggerated right Im. This was the only film during Dean 's lifetime in which he received billing!

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